Day Eighteen: Spatial Montage

Within this kind of digital image, there’s a complete redefinition of what had previously been considered video. It is not just vertical, horizontal and temporal limitations that are transgressed; the (moving) digital image no longer bears any resemblance to a montage in Eisenstein’s terms. It reveals (and can occasionally obscure) how discrete sections of data might be manipulated through superimposed layers, presenting a kind of spatial montage. 

There’s a detail I’ve been looking for in the gallery space, and I’m not sure I’ve found it yet, or if this image and shot will eventually work in context. 

FOLLOW THE DEVELOPMENT OF THIS RESIDENCY ON